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Blackmagic släpper ny filmkamera

Blir deras värsta hittills

Visa inte Foto-artiklar
Foto / Hårdvara

Blackmagic Design är ett företag som gjorde sig ett namn i filmbranschen med hjälp av mjukvara, switchar och annan live- samt inspelningshårdvara. På senare år har de även gett sig in på kameramarknaden vilket de gjorde med stormsteg med en billig, liten och grym filmkamera.

Sedan har de fortsatt med att släppa grymma filmprodukter och nu kommer den senaste kameran som även blir deras värsta hittills. Blackmagic URSA är en större produktionskamera som kommer i ett par olika versioner och där den största nyheten är att man kan byta ut sensorn samt objektivfattningen.

Kameran går att få med Canon EF-fattning och en Super 35-sensor som har en upplösning på 4K och då kostar den 6 000 dollar vilket blir cirka 40 000 kronor. Kameran ska börja levereras i juli.

En annan cool sak med kameran är att den har en 10 tum stor skärm istället för de där supersmå skärmarna som kameror ofta har. Vill ni veta mer så hittar ni pressmeddelandet här nedan.

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Pressmeddelande
NAB 2014, Las Vegas, USA - April 7, 2014 - Blackmagic Design today announced Blackmagic URSA, a new high end digital film camera designed to revolutionize workflow on set. Built to handle the ergonomics of large film crews as well as single person use, URSA has multiple accessories built in, including a massive 10 inch fold out on set monitor, large user upgradable Super 35 global shutter 4K image sensor and internal dual RAW and Apple ProRes recorders.

Because the sensor and lens mount assembly can be changed, customers can choose EF or PL lens mounts, or even a broadcast video sensor with B4 mount, then upgrade the camera in the future. The Blackmagic URSA EF model will retail for $5,995.

Blackmagic URSA will be demonstrated on the Blackmagic Design NAB 2014 booth at #SL219.

Blackmagic URSA is designed to be used on high end feature films, commercials, episodic television production, documentaries, electronic news gathering, music videos and more. When used on jobs with a large crew, customers can easily dress the camera with high quality cinema lenses, rails, follow focus, matte boxes and more. With built in scopes for exposure, focus and audio levels, built in dual recorders and the large 10 inch fold out on set monitor, customers can dramatically reduce on set equipment because it’s all built into the camera.

The Blackmagic URSA features a larger professional size that has the space for powerful cooling that allows higher frame rates while keeping the chassis cool and the fan quiet. The sleek futuristic machined aluminum design is incredibly strong and has been designed for large film crews while being able to be field upgraded to new sensors by the user. Each area of the camera has been divided into separate DOP, camera assistant and audio engineer work stations. The DOP station features a large 10 inch fold out on set monitor and separate 5 inch screen for settings, camera status and scopes. The camera assist station features a separate screen for camera settings, status and scopes and an audio station features audio meters, controls and audio connections.

Blackmagic URSA is a true professional digital film camera with a 4K sensor, global shutter and a wide 12 stops of dynamic range. The wide dynamic range is superior to regular video cameras or even high end broadcast cameras and results in dramatically better images that look like true digital film. The large Super 35 size sensor allows for creative shallow depth of field shooting and high resolution Ultra HD, 12 bit lossless compressed Cinema DNG RAW and Apple ProRes™ allow for easy post production workflow with minimum storage requirements.

The Blackmagic URSA features a modular camera turret that can be simply replaced by removing 4 simple bolts! The camera turret includes the sensor, lens mount and lens control connections and can be upgraded in the future when new types of sensors are developed. There are currently 4 models to choose from, URSA PL supports PL mount lenses and URSA EF supports EF mount lenses from Canon, Zeiss and more. Both of these models include the large Super 35 sized global shutter digital film sensor. The URSA Broadcast B4 model, available late 2014, features a broadcast video Ultra HD sensor and B4 lens mount used in broadcast. The URSA HDMI model has no sensor and its lens mount is replaced by a “cheese plate” of mounting points and a HDMI input, allowing any third party camera to get the benefit of the URSA camera body features.

“Our goal when developing the URSA was to build a camera that had all the cooling capacity for higher frame rates, and a large on set monitor as well as built in scopes so you had everything you need built into the camera itself. The problem with spending so much money building in such incredible accessories is that they become outdated as sensor technology moves on. So we designed the ability to upgrade the sensor so customers can simply bolt on a new sensor and turret assembly in the future!”, said Grant Petty, CEO, Blackmagic Design, “We think this is a revolution and this upgradable design means we have been able to put a lot more effort into the design of the camera body itself and the quality of the screens, recorders, cooling system and processing power than would normally be offered. The result is one of the most amazing television products I have ever seen!”

Blackmagic URSA PL and URSA EF Key Features

Large high resolution 4K Super 35 mm sized sensor with superior handing of image detail.
Professional global shutter for smooth pans and image motion.
Wide 12 stops of dynamic range allows capture of increased details for feature film look.
Compatible with extremely high quality PL or EF mount lenses.
User upgradable design allows customers to upgrade and change the sensor and lens mount.
Built in dual CFast 2.0 card recorders allow unlimited duration recording in high quality.
Open file formats compatible with popular NLE software, such as Apple ProRes and compressed CinemaDNG 12 bit RAW. No custom file formats.
Support for ProRes HQ, ProRes 422, ProRes LT, ProRes Proxy recording at resolutions up to Ultra HD.
Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 6G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, 6G-SDI monitoring input, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.
Built in stereo microphones for recording sound.
3 separate built in LCD monitors for camera settings and metadata entry. Large 10 inch screen folds out for full resolution HD monitoring with wide viewing angle and high brightness.
Supports Ultra HD and 1080 HD resolution capture in 23.98, 24, 25, 29.97, 30 up to 60 fps.
Features liquid cooling system allowing higher frame rates when future sensors support this feature.
Supports quick release tripod mounts and adding V-Mount and Anton/Bauer mount battery plates.
Includes full copy of DaVinci Resolve software color grading and editing software.
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